Bad BunnyBest Bad Bunny Albums Ranked

DeBÍ TiRAR MáS FOToS

nme

10

“ode to homeland is a new high for the Puerto Rican star”

YHLQMDLG

rollingstone

9.0

“The Latin trap superstar's excellent sophomore LP convenes a family reunion of his favorite rappers and reggaetoneros”

DeBÍ TiRAR MáS FOToS

pitchfork

8.8

“Bad Bunny synthesizes the past and present sound of Puerto Rico for an anthemic, cross-generational album. He’s a master at work to enact his vision for the future of música urbana.”

YHLQMDLG

pitchfork

8.5

“Bad Bunny’s second album is outstanding. It’s a big party record that pushes boundaries and pays homage to reggaetón’s past and future, all made by a swaggering star with absolutely nothing to prove.”

Un Verano Sin Ti

pitchfork

8.4

“Much more than a Caribbean summer playlist, Bad Bunny’s latest album is a melodic discourse that questions the powers that be and a call to action that encourages diasporic joy, perreo, and rest.”

X 100PRE

pitchfork

8.2

“The expertly sequenced and always vibrant debut from the Puerto Rican rapper collects every fascinating side of Bad Bunny into one singular statement.”

DeBÍ TiRAR MáS FOToS

Ryan1Nunez

9.8

“DeBÍ TiRAR MáS FOToS isn’t just another Bad Bunny album…it’s the kind of record that hits you deep in the soul. From the very first beat, it feels like a love letter to Puerto Rico, its history, its rhythms, and its people. By weaving classic sounds like salsa, plena, bolero, bachata, and reggaetón into one cohesive whole, Benito doesn’t just show his roots — he celebrates them in the most transcendent way possible.  This project is so rich and layered that every listen reveals something new: from the explosive opener that bridges vintage salsa with Dominican dembow, to the brassy grandeur of “BAILE INoLVIDABLE,” and the nostalgic punch of the title track “DtMF.” The way he balances party energy with introspective reflection on love, memory, identity, and home and it gives the album both fire and heart.  What really sells it for me is how personal it feels. Songs like “Café con Ron” make you want to dance with your abuela in the living room, while tracks like “Bokete” and “TURISTA” resonate like conversations you’ve had with people you’ll never forget. There’s joy, heartbreak, pride, and longing packed into every bar and somehow it never loses its cohesive vision.  Critics echo this sentiment — the album’s fusion of tradition and innovation has earned it widespread acclaim and secured its place as one of the most ambitious and accomplished albums of Bad Bunny’s career.  If Un Verano Sin Ti was the summer that converted me into a fan, DeBÍ TiRAR MáS FOToS is the moment I genuinely fell in love with Bad Bunny as an artist. It’s profound, it’s jubilant, it’s Puerto Rico in sound and it’s a masterpiece of música urbana.”

EL ÚLTIMO TOUR DEL MUNDO

Ryan1Nunez

7.9

“As a genuine music fan who’s followed Bad Bunny’s wild evolution, El Último Tour Del Mundo lands as one of his most ambitious and mood-shifting projects. A record that feels like he took the urbano playbook, folded it up, and reinvented it on his own terms. Critics widely praised its adventurous spirit, its blend of reggaetón, trap, rock and experimental textures, and the way it stretches genre boundaries without ever feeling random.  This album has some standout anthems and surprising twists from the swaggering bravado of tracks like “Booker T” and introspective hooks on “La Noche de Anoche” (with Rosalía) to the fuzzy, genre-bending guitars on “Maldita Pobreza” and the dreamy alt-pop textures of “Trellas.”  What I appreciate most is how it shifts moods so fluidly: it’s at once triumphant, melancholic, and playful — a snapshot of an artist refusing to be boxed in.”

YHLQMDLG

Ryan1Nunez

8.0

“YHLQMDLG (short for Yo Hago Lo Que Me Da La Gana) is one of those albums that really showcases Bad Bunny doing exactly what the title promises. Blending old-school reggaetón with sharp modern energy and inventive production in a way that feels both nostalgic and fresh. Released in 2020, it leans hard into reggaetón’s dembow rhythms while still nodding to Latin trap and club-ready vibes across its sprawling 20-track lineup. There’s a playful, almost rebellious spirit throughout—as if Bad Bunny is inviting you to dance, think, and re-define what urban Latin music can be. Sure, a few tracks lean into familiar formulas, but the high points are magnetic and unforgettable. It’s an album that’s fun, bold, and undeniably influential, blending roots and innovation in a way only Bad Bunny can.”

nadie sabe lo que va a pasar mañana

Ryan1Nunez

7.0

“Nadie Sabe Lo Que Va a Pasar Mañana feels like Bad Bunny stepping back into his trap-heavy roots while still carrying the confidence of a global superstar. As a fan, I appreciate how raw and unfiltered this project sounds. It is moodier, more introspective, and less focused on radio hits. The production hits hard, especially in the darker beats, and his flow feels sharp and intentional throughout. That said, it’s not his most cohesive album. Some tracks blend together, and it doesn’t quite reach the cultural punch of his previous eras. But there’s something refreshing about hearing him lean into the underground vibe again, almost like he’s reminding everyone where he started. Solid replay value, strong attitude, just not his absolute peak.”

Un Verano Sin Ti

Ryan1Nunez

8.7

“Un Verano Sin Ti is the album that officially turned me into a Bad Bunny fan. It feels like summer bottled up: warm, carefree, and deeply rooted in Caribbean sound. Across its genre-blending run of reggaetón, dembow, indie pop, and tropical rhythms, Bad Bunny makes music that’s easy to dance to but still hits emotionally. Tracks like “Tití Me Preguntó” and “Me Porto Bonito” bring pure joy, while the quieter moments add heart and reflection. It’s long, sure, but the vibes rarely miss. This album doesn’t just soundtrack a season, but it invites you into Bad Bunny’s world and makes you want to stay.”

X 100PRE

Ryan1Nunez

7.7

“X100PRE is the album where Bad Bunny officially proved he wasn’t here to follow rules. The record jumps between reggaeton, Latin trap, pop, and emotional left turns with confidence, giving us bangers like Mía and La Romana alongside vulnerable moments like Solo de Mí. It’s not flawless…but a few experiments don’t fully land, but that risk-taking is exactly what makes it exciting. As a debut, it’s fearless, personal, and ahead of its time, laying the foundation for everything Bad Bunny would later perfect. 🎧🔥”

LAS QUE NO IBAN A SALIR

Ryan1Nunez

7.0

“As a Bad Bunny stan who’s ridden every wave with him, Las que No Iban a Salir feels like exactly what it is: a cozy mixtape of odds and ends rather than a fully realized project. There are moments that shows Bunny’s effortless charisma and genre-hopping instinct still make for fun listening, but it doesn’t cohere the way his major albums do.”

DeBÍ TiRAR MáS FOToS

FatRatesMusic

9.4

“LISTENED: 1/19/2026 Bad Bunny, now focusing his rap lyrical ability on a topic paying homage to his home country, makes an album revolving around his love towards his culture, trying out different styles with Puerto Rican roots, while still keeping his original lover boy topics in the blend. As a person with Puerto Rican roots myself, this album is nothing short of a cultural staple to me, giving cultural platform and influence to a very important piece of land in trying times, while also highlighting other Latin-American styles. Also, these songs just bang dude.”