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Bicep

BicepBest Bicep Albums Ranked

7.3

Avg Score

9

Opinions

4

Albums

6

Reviewers

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About

Summary from 9 ratings

On Wavelength, fans have rated Bicep's catalog across 4 albums from 9 opinions, with an overall average of 7.3/10. The top-rated Bicep album is Bicep (2017) with a 7.6/10 average from 4 ratings, followed by Isles. The discography on Wavelength spans 2017 to 2021.

Isles

Isles

nme
8.0

trippy electronic tales that transcend the club world

Isles

Isles

loudandquiet
8.0

In the years since their self-titled 2017 debut, Bicep have firmly established themselves as a touchpoint for contemporary electronic music. With ‘Aura’, ‘Opal’ and the poignantly nostalgic ‘Glue’ now anthemic staples in DJ sets and record collections, Isles affirms that essential status as another landmark release. From the slow-burn magic of ‘Atlas’ to the Xanax beats of ‘Rever’, Bicep artfully

Bicep

Bicep

loudandquiet
8.0

When a DJ reaches a certain height of acclaim, we talk about them like magical beings. Aphex, Roman Flügel and Burial barely seem human, in part thanks to their production wizardry, but mostly because us dance-music fans love to mythologise (as do the artists, clubs and promoters). Berghain sounds like Hogwarts to the many uninitiated, so Flügel’s residency there makes him Dumbledorian; all the ps

Bicep

Bicep

pitchfork
7.4

On their debut album, the Irish duo Bicep—founders of the blog-turned-party and label Feel My Bicep—offer a lean and consciously paced survey of UK dance sounds with hints of psychedelia.

Bicep

Bicep

exclaim
7.0

UK producer/DJs Andy Ferguson and Matt McBriar started as crate-digging bloggers who sent out regular transmissions of all kinds of electronic dance music at feelmybicep.com. Their debut, self-titled album is a smorgasbord, a far-reaching demonstration of their tastes that ranges from accessible house and techno to more niche sub-genres like IDM and jungle.   The first three tracks form a solid 15

Isles

Isles

pitchfork
6.3

With dancefloors gone dark, the Northern Irish DJs tailor their second album to homebound listeners, but their indoor voices don’t command the same attention as their main-stage belters.

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