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Dilly Dally

Dilly DallyBest Dilly Dally Albums Ranked

7.9

Avg Score

8

Opinions

2

Albums

6

Reviewers

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About

Summary from 8 ratings

On Wavelength, fans have rated Dilly Dally's catalog across 2 albums from 8 opinions, with an overall average of 7.9/10. The top-rated Dilly Dally album is Sore (2015) with a 8.0/10 average from 4 ratings, followed by Heaven. The discography on Wavelength spans 2015 to 2018.

Sore

Sore

thelineofbestfit
9.0

Dilly Dally release pain filled debut album Sore

Heaven

Heaven

nme
8.0

We’ve talked recently about the fact that punk has, in many ways, taken a turn for the positive. In 2018, thanks to likes of Melbourne’s Camp Cope and Bristol heroes Idles, the genre’s often more about self-love and inclusivity than self-destruction and nihilism – a mission statement that Toronto’s Dilly Dally with taken to with the same enthusiasm Sid Vicious harboured for heroin. The band’s bru

Sore

Sore

pitchfork
8.0

The Toronto four-piece Dilly Dally's debut oozes with female desire. In almost every song, Katie Monk unleashes a dive-bombing scream that drops like a flare down a well, her band reinforcing the squalor of her voice with a heavy swagger redolent of some of the best ever alt-rock.

Heaven

Heaven

pitchfork
7.8

Written amid a period of intra-band tumult, Dilly Dally’s thrilling second album foregrounds frontwoman Kate Monks’ singular voice as she riffs on themes of power, sex, confidence, and self-care.

Heaven

Heaven

loudandquiet
7.0

‘Heaven’, the second album from Canadian rockers Dilly Dally, is a glorious contradiction. Downbeat and doom-laden in sound it’s an album that mixes fuzzed-out ferocity with calm optimism. In some senses it’s dealing with a crash. Having paid their dues in their hometown punk scene in Toronto and debut ‘Sore’ delivering some success the pressure of touring caused a minor implosion. In limbo front

Sore

Sore

rollingstone
7.0

For Toronto's Dilly Dally, spring awakening sounds less like bees buzzing than like chainsaws revving. The band's leaders, Katie Monks and Liz Ball, are old friends who have zero patience for double standards or sexual frustration. The first track on their killer debut LP alternates between a hush and a mutant assault, driven by Ball's pummeling guitar and Monks' irascible wail, in ways that recal

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