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Echo & The Bunnymen

Echo & The BunnymenBest Echo & The Bunnymen Albums Ranked

7.5

Avg Score

19

Opinions

17

Albums

5

Reviewers

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Summary from 19 ratings

On Wavelength, fans have rated Echo & The Bunnymen's catalog across 17 albums from 19 opinions, with an overall average of 7.5/10. The top-rated Echo & The Bunnymen album is Crocodiles (1980) with a 8.5/10 average from 2 ratings, followed by Heaven Up Here and Ocean Rain. The discography on Wavelength spans 1980 to 2014. The Killing Moon ranks as the highest-rated Echo & The Bunnymen song on Wavelength with a 9.4/10 average.

Crocodiles

Crocodiles

rollingstone
8.0

Leave it to the fad-happy British — the same people who brought you the 2-Tone ska craze, the refurbished mods and the heavy-metal revival — to teach that old dog psychedelia some new tricks. In addition to sharing profoundly silly names, Echo and the Bunnymen and the Teardrop Explodes share managers, producers, a hometown (Liverpool) […]

Flowers

Flowers

rollingstone
7.0

Never as pretty as the Smiths, as anthemic or grand as their rival U2 or as suicidal as Joy Division, Echo and the Bunnymen fell between the U.K. post-punk cracks at the dawn of the Eighties. But the band’s proto-Brit-pop sound resonates today in bands ranging from the Stone Roses through Radiohead and Oasis. Frontman […]

Evergreen (Expanded)

Evergreen (Expanded)

rollingstone
7.0

Echo and the Bunnymen’s reunion album doesn’t quite hit the high-water mark of their 1984 classic, Ocean Rain, but it’s a stunning comeback nonetheless. While late drummer Pete De Freita’s tribal fills are missed (he died in a 1989 motorcycle accident), the remaining three-quarters of Echo find their hypnotic chemistry intact. Frontman Ian McCulloch brings […]

Ocean Rain

Ocean Rain

rollingstone
4.0

Suspended somewhere ’twixt heaven and hell, Echo and the Bunnymen take an oddly visceral pleasure in their spiritual limbo, evoking a vast, white, arctic expanse that’s silent, unbroken and pure — but also deadly. The band’s fourth full-length LP is too often a monochromatic dirge of banal existential imagery cloaked around the mere skeleton of […]

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