Summary from 53 ratings
On Wavelength, fans have rated Joji's catalog across 6 albums from 53 opinions, with an overall average of 6.1/10. The top-rated Joji album is Nectar (2020) with a 6.0/10 average from 1 rating, followed by Piss In The Wind and BALLADS 1. The discography on Wavelength spans 2018 to 2026. Glimpse of Us ranks as the highest-rated Joji song on Wavelength with a 9.4/10 average.
Glimpse of Us
SMITHEREENS
Run
Nectar
SLOW DANCING IN THE DARK
BALLADS 1
Tarmac
Piss In The Wind
Cigarette
Piss In The Wind
Die For You
SMITHEREENS
BALLADS 1
“Joji’s first full-length project features a host of guests in a quality effort to help push past the confines of his bedroom walls and tedious heartache.”
Piss In The Wind
“The ballad aficionado behind the 2022 viral hit "Glimpse of Us," Japanese-Australian singer-songwriter Joji has now graced us with a glimpse of greatness.Don't let Piss in the Wind's 21-track run fool you: Joji uses the expansive tracklist as a playground to toy with potential, packaged in cute, barely two-minute eruptions that flirt with the listener without ever fully committing. The songs, ther”
Piss In The Wind
“The ballad aficionado behind the 2022 viral hit "Glimpse of Us," Japanese-Australian singer-songwriter Joji has now graced us with a glimpse of greatness.Don't let Piss in the Wind's 21-track run fool you: Joji uses the expansive tracklist as a playground to toy with potential, packaged in cute, barely two-minute eruptions that flirt with the listener without ever fully committing. The songs, ther”
Piss In The Wind
“a multi-genre odyssey with glimpses of greatness”
Nectar
“Nectar offers Joji's highest highlights to date, though all in all it could've benefited from some more editing.”
BALLADS 1
“George Miller, YouTube-star-turned-pop-singer, releases full-length debut as Joji”
Piss In The Wind
“Overall Joji’s latest album feels like a journey through two worlds—one that revisits the sounds I first fell in love with, and another that pushes into brand-new territory. This marks his first album since his departure from 88rising & his first album producing as Palace Creek. (His own record label) The Tracks That Hooked Me Early on, "Cigarette" completely pulled me in. Even though it's short, I found the vocal delivery and the analogy between smoking and love to be incredibly beautiful. "Sojourn" is the other big standout for me; the production is just insane and felt like a totally fresh direction for Joji. I loved how the lyrics balanced the heavy grief of lost love with a genuine sense of hope—it’s honestly tied with "Cigarette" for my favorite spot. Vibes and Production I noticed a few tracks where the production really outshone the lyrics for me. While "Strange Home" and "DYKILY" didn't reel me in as much lyrically, I still appreciated the production—especially "DYKILY," which gave me those familiar Nectar vibes. For a more relaxed feel, I thought "Tarmac" and "Hotel California" worked perfectly as interludes/interlude sounding. I was especially impressed by the acoustic guitar and keyboard work on "Hotel California." Then there’s "Silhouette Man"; it’s short, but I found it lyrically entrancing, and the beat gave me a nostalgic Ballads 1feel. The Features I felt like the collaborations on this record were really natural. The Don Toliver feature is the most seamless to me personally—their harmonies just flow. The same can be said with 4Batz, just not quite as much as Don’s. I also respected how Joji took a step back on the Giveon & Yeat track; it felt like he was really giving him his flowers. It also highlighted a level of artistic maturity in Joji. Singles/Pre release For the singles, I think they fit perfectly, especially at the start where they set a heavy but familiar theme. I loved the transition of "Past Won’t Leave My Bed" appearing right before “Fade to Black” with 4batz. Out of all the singles, "Love You Less" shined the most for me, followed closely by "Last of a Dying Breed" because of those soft strong vocals. The Close/End To wrap it all up, "Dior" felt like the perfect choice for an end track. Its soft, lo-fi, old-school style was a very satisfying way to close out the record that marks Joji’s most artistically free point since leaving 88rising.”
BALLADS 1
“I use to really adore this album but as I’ve gotten older my music taste has drastically changed while I think it’s pretty impressive to go from YouTube super stardom to music entertainment in such a seemingly unique way, I think the album overall is pretty lackluster compared to some of his other albums, I still love Joji and his vocal range is wildly impressive, Slow Dancing In The Dark is still pretty good though”
Piss In The Wind
“Album vibes: I’m sitting at my city apartment balcony as it rains. The neon light ripples and diffuses in the puddles on the busy street below. I’m watching life go by, unable to go forward. Trapped behind the glass. Trapped by my own emotions. Will I let myself out? This album feels like a series of short poems designed to attack me (personally) but I’m finding myself wanting more from it. The songs feel so short and a bit melodically redundant at times. (They’re good though, just a tad repetitive to me.) some songs are a great change of pace and I find myself gravitating towards those as “favorites” like Sojourn and Past Wont Leave My Bed.”
Piss In The Wind
“In an era of “trending audios” I feel like this album tried to cater to that but it left so many glaring holes that I did not enjoy listening to this very much at all. Many of the tracks are less than 2 minutes long, and by the time I get into the song it’s already on to the next one. There are so many of these that it just leaves the entire record all over the place. Many of the songs I feel were very overproduced. Joji has a nice voice and the background drowns him out on this one. If this is his attempt at a “bad boy” record it kind of failed.”
Piss In The Wind
“i keep relistening and liking more and more favorite songs- CANT SEE SH*T IN THE CLUB. forehead touch the ground. last of a dying breed.”
Piss In The Wind
“I know this concert would feel crazy and surreal”
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