Summary from 5 ratings
On Wavelength, fans have rated Landing's catalog across 6 albums from 5 opinions, with an overall average of 7.1/10. The top-rated Landing album is Oceanless (2001) with a 8.0/10 average from 1 rating, followed by Passages Through and Seasons. The discography on Wavelength spans 2001 to 2005.
Oceanless
“Fuzzed-out drone-pop gets a bad rap from some quarters because it doesn't seem difficult to play. People suspect that post-My Bloody Valentine shoegaze is more about shopping than musicianship, in that the skill lies in knowing which pedals to buy. Hell, guitar feedback in its most elemental form doesn't even require the player to, well, *move*, if you get right down to it. It's not a coincidence ”
Fade In Fade Out - EP
“When I last reviewed a Landing record I accused them of recording too quickly. Counting their collaboration with Yume Bitsu's Adam Forkner as Surface of Eceon, Landing's *Seasons* was their third record in a year. *Seasons* found Landing experimenting with conventional song structures with some success, but the songs didn't seem quite as developed as they could have been had more time and effort p”
Passages Through
“In the past three years, Connecticut's Landing have released four rather different records on three labels. The band's debut *Oceanless* was filled with long, dreamy instrumentals that combined the Young-meets-dreampop bend of Windy & Carl with streaks of heavier stoner psychedelia. The follow-up full length *Seasons* saw them settling uneasily into soft, delicate slowcore territory, mixing lots o”
Seasons
“I had a small epiphany last week. On a Monday morning I was walking the two blocks to catch the bus to work. It was raining hard, I was trudging along under my umbrella, and it felt great. It's the driest year this area has had in many years, and I realized while walking that I hadn't used an umbrella even once in six months or more. On my discman was the new record by Connecticut's Landing, a loo”
Brocade
“Connecticut-based quartet moves away from dreamcore on this slight return to the gauzy space-rock of their earlier work.”
Sphere
“Pacific Northwest dream-rockers' latest LP for K is pleasant enough as a mood-setting backdrop, but its lack of variety holds it back.”
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