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Lingua Ignota

Lingua IgnotaBest Lingua Ignota Albums Ranked

8.5

Avg Score

15

Opinions

3

Albums

7

Reviewers

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Summary from 15 ratings

On Wavelength, fans have rated Lingua Ignota's catalog across 3 albums from 15 opinions, with an overall average of 8.5/10. The top-rated Lingua Ignota album is Caligula (2019) with a 8.7/10 average from 4 ratings, followed by SINNER GET READY and All Bitches Die. The discography on Wavelength spans 2018 to 2021. Do You Doubt Me Traitor ranks as the highest-rated Lingua Ignota song on Wavelength with a 9.4/10 average.

SINNER GET READY

SINNER GET READY

fantano
10

**Favorite tracks:** ALL **Least favorite track:** N/A [Watch the review](https://www.youtube.com/watch?v=g6S0XHGKzUU)

SINNER GET READY

SINNER GET READY

loudandquiet
9.0

The infiltration of the finer mechanisms of religion and spirituality into a musician’s artistic output is not uncommon, with Nick Cave, Leonard Cohen, George Harrison and even Kanye West just some of the names well-versed in creating spiritual concept pieces that take a deep dive into the divine. With SINNER GET READY, Lingua Ignota plots a similar trail and makes use of her third full-lengther 

Caligula

Caligula

fantano
9.0

Caligula is an even more incredible journey to hell than its predecessor.

SINNER GET READY

SINNER GET READY

pastemagazine
8.8

The hard truth is, no matter how many albums we review each year, there are always countless releases that end up overlooked. That’s why, this month, we’re bringing back our No Album Left Behind series, in which the Paste Music team has the chance to circle back to their favorite underrated records of 2021 and sing their praises. We tend to view most forms of art with diminishing returns. A life-

Caligula

Caligula

pitchfork
8.1

On her torrential second album, Kristin Hayter creates a murderous amalgam of opera, metal, and noise that uses her classical training like a Trojan Horse, burning misogyny to ash from its Judeo-Christian roots.

SINNER GET READY

SINNER GET READY

pitchfork
8.0

Kristin Hayter’s latest is an intense and frightening religious inquiry, incorporating traditional Appalachian instruments and samples from televangelist sermons.

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