Luther Vandross & Martha WashBest Luther Vandross & Martha Wash Albums Ranked
7.2
Avg Score
8
Opinions
12
Albums
2
Reviewers
Summary from 8 ratings
On Wavelength, fans have rated Luther Vandross & Martha Wash's catalog across 12 albums from 8 opinions, with an overall average of 7.2/10. The top-rated Luther Vandross & Martha Wash album is The Night I Fell In Love (1985) with a 9.3/10 average from 1 rating, followed by Give Me The Reason and Never Too Much. The discography on Wavelength spans 1981 to 2003.
Power of Love
“In the seven albums (eight, counting a 1989 best-of package) that he has released in the last decade, Luther Vandross has established himself as Smokey Robinson’s successor in building a personalized pop-soul loveland around beautiful singing. Because his extraordinarily rich voice, which straddles the line between tenor and baritone, is much more operatic than Robinson’s, […]”
Busy Body
“As a soul man, Luther Vandross has a unique image. Forsaking the role of Demanding Lover or Five-Star Stud played by the likes of Teddy Pendergrass and Marvin Gaye, Vandross is usually pursuing a woman who is elusive, independent or stepping out on him. He doesn’t get angry or play the clown, but responds by […]”
Dance with My Father
“Luther Vandross is justly celebrated as a singer’s singer. He reinterprets pop and R&B classics masterfully, and his detailed lyrics give his own sleek ballads a lived-in presence, as if Luther was right there on the couch with you and your beloved, dishing out some friendly advice. Dance With My Father — an album released […]”
Any Love
“On his sixth album in seven years, Luther Vandross sounds a bit fed up. As the most powerful and popular balladeer of the Eighties, he has doggedly defended romantic bliss, or at least the hope for it. Any Love might mark the end of that cycle, however, as some doubts start to creep in. It’s […]”
Never Let Me Go
“Never Let Me Go, like most Luther Vandross albums, is a flawless display of technique blessed with exquisite singing, well-crafted arrangements and a mix that has been tweaked to perfection. Unfortunately, the end result is more soporific than soulful — meaning that all Vandross ends up with is the quiet-storm equivalent of elevator music. It’s […]”
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