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Madeline Kenney

Madeline KenneyBest Madeline Kenney Albums Ranked

7.3

Avg Score

8

Opinions

5

Albums

5

Reviewers

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About

Summary from 8 ratings

On Wavelength, fans have rated Madeline Kenney's catalog across 5 albums from 8 opinions, with an overall average of 7.3/10. The top-rated Madeline Kenney album is Perfect Shapes (2018) with a 7.6/10 average from 3 ratings, followed by Kiss From the Balcony and Night Night At the First Landing. The discography on Wavelength spans 2017 to 2025.

A New Reality Mind

A New Reality Mind

pastemagazine
7.5

The Bay Area singer/songwriter debuts her solo production chops on fourth LP

Perfect Shapes

Perfect Shapes

pastemagazine
7.5

The shapes in the title of Madeline Kenney’s new album appear at first as dizzying spirals, then as ballooning bodies and later as jumpy zig zags. A series of swampy soundscapes, Perfect Shapes is a melding of dream pop and art rock, equal parts soothing and jarring. Though Kenney released her debut LP just 13 months ago, she already appears to have a swarm of new ideas, flaunting a matured outloo

Sucker's Lunch

Sucker's Lunch

pitchfork
7.4

Co-produced by Wye Oak, the singer-songwriter’s new album reckons with a past of self-doubt and a present of intense uncertainty in order to shape something like a satisfying future.

Perfect Shapes

Perfect Shapes

pitchfork
7.2

On her second album, the sophisticated art-rock singer steps toward the center of her own songs, thanks in part to production from Wye Oak’s Jenn Wasner.

Night Night At the First Landing

Night Night At the First Landing

loudandquiet
7.0

Many indie rock musicians claim to be multi-hyphenates: producer, songwriter, multi-instrumentalist. Yet Madeline Kenney might be the genre’s only qualified neuroscientist and professional baker on top of her musical exploits. Her debut album, produced by the equally busy Chaz “Toro Y Moi” Bundick, shows a restlessly inquisitive mind at work, feeling out genres and sounds for the album’s thirty-mi

A New Reality Mind

A New Reality Mind

pitchfork
6.3

The Oakland singer-songwriter looks to experimental synth and new age music on her self-produced fourth LP, a serene and reflective take on the breakup album.

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