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Mark Lanegan Band

Mark Lanegan BandBest Mark Lanegan Band Albums Ranked

7.2

Avg Score

14

Opinions

6

Albums

6

Reviewers

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About

Summary from 14 ratings

On Wavelength, fans have rated Mark Lanegan Band's catalog across 6 albums from 14 opinions, with an overall average of 7.2/10. The top-rated Mark Lanegan Band album is No Bells on Sunday (2014) with a 8.5/10 average from 1 rating, followed by Somebody's Knocking and Phantom Radio. The discography on Wavelength spans 2003 to 2019.

Here Comes That Weird Chill

Here Comes That Weird Chill

pitchfork
7.6

Fact is, I can attribute little more than the confluence of personal ignorance and journalistic negligence to the fact that I had, until now, predominantly associated Mark Lanegan's name with his work as the frontman of Screaming Trees. I had mistakenly and categorically written him off as a splintered postscript by-product of the necessary dissolution of Seattle's overindulgent early 90s scene, t

Phantom Radio

Phantom Radio

pitchfork
6.7

The former Screaming Trees frontman's new album as the Mark Lanegan Band gets back to the feel he was chasing on 2012's Blues Funeral, albeit with a more assured hand ghosting through it. The story behind Phantom Radio is of someone undergoing a unique conflict with his own past.

Gargoyle

Gargoyle

pitchfork
6.3

On Mark Lanegan’s 10th solo album, his leather voice and slow-burning songwriting play up the pulp and noir that’s been with him his entire career.

Blues Funeral

Blues Funeral

rollingstone
6.0

"Oh sister of mercy," intones Mark Lanegan on his first solo set in seven years, invoking Leonard Cohen, Andrew Eldritch, and countless other gothy dudes with a taste for dysfunctional relationships. Minus usual vocal sidekicks Isobel Campbell and Greg Dulli (who appears briefly on the vintage drum-machine jam "St. Louis Elegy"), Lanegan’s chafed baritone works […]

Blues Funeral

Blues Funeral

pitchfork
5.9

Citing albums by Kraftwerk, Joy Division, and Roxy Music as influences, the Gutter Twins/ex-Screaming Trees vocalist's first solo album since 2004 incorporates drum machines and oozing synths into the mix.

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