Miles Davis & Milt JacksonBest Miles Davis & Milt Jackson Albums Ranked
7.6
Avg Score
25
Opinions
34
Albums
3
Reviewers
Summary from 25 ratings
On Wavelength, fans have rated Miles Davis & Milt Jackson's catalog across 34 albums from 25 opinions, with an overall average of 7.6/10. The top-rated Miles Davis & Milt Jackson album is The Complete Live At the Plugged Nickel (1965) (1965) with a 9.5/10 average from 2 ratings, followed by Dark Magus: Live At Carnegie Hall and Miles Ahead. The discography on Wavelength spans 1955 to 1992.
The Complete Live At the Plugged Nickel (1965)
1965
Dark Magus: Live At Carnegie Hall
1976
Miles Ahead
1957
Star People (2022 Remaster)
1982
Miles Davis and the Modern Jazz Giants (Remastered)
1959
Bags' Groove (Remastered)
1957
Sorcerer
1967
Pangaea
1975
Milestones
1958
Miles In Tokyo
1969
"Four" & More (2022 Remaster)
1966
Someday My Prince Will Come (Mono Version)
1961
Seven Steps to Heaven
1963
Quintet / Sextet
1955
Quiet Nights (2022 Remaster)
1963
You're Under Arrest (2022 Remaster)
1985
Doo-Bop
1992
We Want Miles (Live - 2022 Remaster)
1982
The Man With The Horn (2022 Remaster)
1981
Seven Steps to Heaven
“After the galvanic success of 1959’s Kind of Blue, Miles Davis Toured less rigorously, and by early 1963 the lean work led several of his longtime sidemen, including pianist Wynton Kelly, to quit. Davis scrambled to build a new band, anchored by seventeen-year-old firebrand drummer Tony Williams and pianist Herbie Hancock. The seven discs of […]”
Doo-Bop
“Toronto’s Hayden (nee paul Hayden Dresser) made quite the splash in 1995 with Everything I Long For, a collection of spare, deeply personal songs that he recorded on a four-track in his bedroom at his parents’ house. For his second album, The Closer I Get, Hayden recorded in six different studios and played sixteen instruments, […]”
We Want Miles (Live - 2022 Remaster)
“The Art Ensemble of Chicago (AEOC) may be the most exciting performance group in jazz today, and the four live sides of Urban Bushmen capture much of the band’s startling virtuosity and playful, controlled looseness. The ensemble’s concept of "Great Black Music — Ancient to the Future" has always offered a unique blend of musical […]”
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