Molly BurchBest Molly Burch Albums Ranked
7.5
Avg Score
8
Opinions
3
Albums
6
Reviewers
Summary from 8 ratings
On Wavelength, fans have rated Molly Burch's catalog across 3 albums from 8 opinions, with an overall average of 7.5/10. The top-rated Molly Burch album is Please Be Mine (2017) with a 9.0/10 average from 1 rating, followed by First Flower and Romantic Images. The discography on Wavelength spans 2017 to 2021.
Please Be Mine
“Over the last few years, there’s been a revival of singer-songwriter types who specialise in sun-dappled, tender, smoky loves songs that unfurl languidly; think brass bands, rich, lush orchestration, and the deep, warm charm that went hand in hand with recording in proper studios to tape. And to the names of Natalie Prass, Matthew E White, and Jenny Lewis we can now add Molly Burch, California nat”
Romantic Images
“Still in love with love, Molly Burch’s Romantic Images thrives on an air of confidence”
First Flower
“It’s only been a year and a half since Austin-based singer-songwriter Molly Burch released her debut album, ‘Please Be Mine’, but on her new record, ‘First Flower’, she sounds like a singer reborn. Where ‘Please Be Mine’ found Burch dealing with the aftermath of a breakup and leaning on the more melancholic end of her talents, for the most part, this is packed with rolling, sunny riffs and playful”
First Flower
““Why do I care what you think?” Molly Burch asks in the very first verse of “Candy,” the initial offering of First Flower, the follow up to her widely acclaimed debut Please Be Mine. Borne from tumultuous circumstance—self doubt, anxiety and fractured relationships—Burch claims she was plagued by trouble trepidation. “It ain’t easy no more,” she coos on the tellingly titled “Dangerous Place.” “I h”
First Flower
“On her second album, the Austin singer-songwriter strengthens her voice and broadens her perspective, turning her gaze from romance to a more nuanced view of her own anxieties.”
Romantic Images
“On Molly Burch’s fourth record, the Texan singer-songwriter makes the jump, broadly, from the ’60s to the ’80s. That means the twangy Roy Orbison guitars of 2018’s First Flower have been replaced by pulsing synths, slapback drums make way for something drier and sleeker, and Burch’s torch-singer croon adds a breathy, hiccuping and girlish dimension somewhere between Janet Jackson, Cyndi Lauper and”
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