Moor MotherBest Moor Mother Albums Ranked
8.2
Avg Score
16
Opinions
6
Albums
7
Reviewers
Summary from 16 ratings
On Wavelength, fans have rated Moor Mother's catalog across 6 albums from 16 opinions, with an overall average of 8.2/10. The top-rated Moor Mother album is The Great Bailout (2024) with a 8.4/10 average from 6 ratings, followed by Analog Fluids of Sonic Black Holes and Black Encyclopedia of the Air. The discography on Wavelength spans 2016 to 2024. Deadbeat Protest ranks as the highest-rated Moor Mother song on Wavelength with a 8.0/10 average.
The Great Bailout
“"History repeats itself." You've heard this line uttered by a high school history teacher or a parent trying to instil their wealth of knowledge in you. When you first heard it you probably rolled your eyes. And now, between the climate crisis, the conflicts in Ukraine and occupied Palestine, North America's intense political polarization and so much more, it feels harder than ever to look backwar”
Analog Fluids of Sonic Black Holes
“With the ongoing legitimisation of far-right, racist and fascist politics across the globe, much has been made of the changing face of protest music. There’s no mistaking Moor Mother’s – aka Camae Ayewa – body of work as a carrier of an especially belligerent, sardonic form, and Analog Fluids of Sonic Black Holes feels like the rough-hewn crystallisation of discontent over the first few years of ”
The Great Bailout
“With a bevy of collaborators, the Philadelphia poet, singer and songwriter’s latest album interrogates British history to reveal hellish, necessary truths.”
Fetish Bones
“Camae Ayewa channels the politics of noise music and Afrofuturism for a deeply confrontational and affecting album that makes real and visceral the trauma of the past.”
The Great Bailout
“The Great Bailout is a dense and visceral history lesson from Moor Mother”
Jazz Codes
“Moor Mother constructs music according to her own temporospatial logic. The rapper, musician, poet and activist (real name: Camae Ayewa) is a uniquely free creative, unburdened by the restrictions of form or genre. Her lyrics uncouple the knotty intersections of personal and political histories, while her music drifts through noise, jazz, rap, electronica and beyond. She possesses an almost mystic”
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