Summary from 32 ratings
On Wavelength, fans have rated Muse's catalog across 24 albums from 32 opinions, with an overall average of 6.3/10. The top-rated Muse album is Origin of Symmetry (2001) with a 8.2/10 average from 3 ratings, followed by Absolution and Black Holes and Revelations. The discography on Wavelength spans 1999 to 2022. Plug In Baby ranks as the highest-rated Muse song on Wavelength with a 10.0/10 average.
Origin of Symmetry
“Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit the grandiose British rock band’s second album, a supranatural space odyssey powered by all-too-human emotion.”
Will Of The People
“modern anxieties, and their best music in years”
Simulation Theory
“In a bid to escape boredom in the early ‘90s, three awkward teens from Teignmouth, Devon, wearing Ned’s Atomic Dustbin and Nirvana t-shirts, channelled their adolescent angst – and the drive to be as weird as possible – to form what would become the institution and stadium powerhouse that is Muse. In those early interim days of artsy grunge experimenting, they went by the names Carnage Mayhem, Go”
Drones
“Comebacks don’t get bigger than this one. BTS have finally returned with Arirang, their first album in nearly four years. Fans around the world have been counting the days until this moment, ever since BTS put the group on pause while all seven members fulfilled their mandatory military service in South Korea. But the kings are together again: RM, Jin, Suga, J-Hope, Jimin, V, and Jung Kook. Spread”
The 2nd Law
“Muse have specialized in drama-rock gigantism for more than a decade – long enough to get really good at it. The trio’s sixth LP is their most expansive and varied yet, filling out a go-to mix of Queen boom and Radiohead gloom with disco Bowie, Eighties U2, metal, dubstep and enough strings to support a […]”
Black Holes and Revelations
“Muse’s fourth album is one of the year’s most overblown records, mixing together huge, doomy soundscapes, snarling guitars and space-age sound effects with Matthew Bellamy’s operatic wail and lyrics about stuff like death, injustice and "superstars sucked into the supermassive." This isn’t so surprising coming from these sub-Radiohead gloomsters; what’s surprising is that most of […]”
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