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Papercuts

PapercutsBest Papercuts Albums Ranked

7.4

Avg Score

7

Opinions

6

Albums

4

Reviewers

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About

Summary from 7 ratings

On Wavelength, fans have rated Papercuts's catalog across 6 albums from 7 opinions, with an overall average of 7.4/10. The top-rated Papercuts album is Past Life Regression (2022) with a 8.3/10 average from 1 rating, followed by Can't Go Back and Fading Parade (Bonus Track Version). The discography on Wavelength spans 2007 to 2022.

Can't Go Back

Can't Go Back

pitchfork
8.3

Devendra Banhart and Andy Cabic's Gnomonsong label issues this delicate bedroom production, courtesy of Grizzly Bear/Beach House tourmate Jason Quever.

Fading Parade (Bonus Track Version)

Fading Parade (Bonus Track Version)

pitchfork
7.4

Papercuts' Jason Quever, who started a folkier relative to friends and tourmates Grizzly Bear and Beach House, offers his Sub Pop debut and best LP yet.

You Can Have What You Want (Bonus Track Version)

You Can Have What You Want (Bonus Track Version)

pitchfork
7.4

Papercuts leader Jason Quever again crafts his aesthetic from the raw materials of Zombies, Velvet Underground, and Galaxie 500.

Parallel Universe Blues

Parallel Universe Blues

exclaim
7.0

Parallel Universe Blues is a dreamy, laidback record made for easy listening. It's a great album with a step up in its production. It would be more interesting for Quever to do something a little bit different this time around, but staying true to your roots isn't a bad thing.

Parallel Universe Blues

Parallel Universe Blues

pastemagazine
7.0

Slumberland Records hasn’t changed its aesthetic much since launching in 1989. The label has tended to release indie-pop bands that favor hazy musical arrangements full of trebly guitars and wistful, vaguely British-sounding vocals. Papercuts fits right in with Parallel Universe Blues, the band’s sixth album and first for Slumberland. The 10 songs on Parallel Universe Blues are atmospheric and ca

Life Among the Savages

Life Among the Savages

pitchfork
6.7

Jason Quever has been writing and recording as Papercuts for well over a decade at this point, fleshing out his take on the last 50 years of oft-dreamy, pillow-soft pop-rock. His new full-length places a spotlight on his skills as a producer and arranger playing with several new variations on his warm, woodsy music.

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