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The Bevis Frond

The Bevis FrondBest The Bevis Frond Albums Ranked

7.2

Avg Score

11

Opinions

9

Albums

3

Reviewers

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About

Summary from 11 ratings

On Wavelength, fans have rated The Bevis Frond's catalog across 9 albums from 11 opinions, with an overall average of 7.2/10. The top-rated The Bevis Frond album is New River Head (1990) with a 8.1/10 average from 2 ratings, followed by We're Your Friends, Man and Live at the Great American Music Hall, San Francisco. The discography on Wavelength spans 1987 to 2024.

New River Head

New River Head

pitchfork
9.1

Second only to Twisted Village's Wayne Rogers, Nick Saloman is my choice for king of the 60s psychedelic revival when it finally comes back around. Sort of a J Mascis type (he even has the hair!), the British multi-instrumentalist writes all The Bevis Frond's material; he sings and plays just about every instrument on his albums, engineers and produces them, and then releases them on his and Adria

Live at the Great American Music Hall, San Francisco

Live at the Great American Music Hall, San Francisco

pitchfork
7.5

The Backstreet Boys. N'Sync. 98 Degrees. LFO. Some of the worst bands that have ever been forced upon the world. And what do they all have in common? They're good-looking Americans. Good-looking, dumb Americans. In such a time of need, who will free us from this prison we have created? Ugly British people. And, if the Bevis Frond's latest offering, *Live at the Great American Music Hall*, is any i

Triptych

Triptych

pitchfork
7.3

The Bevis Frond emerged fully-formed from the skull of British rock. A cult favorite ever since Nick Saloman created the band in the 80s, it has stayed with a heavy 60s-style psychedelic sound, resisting all Brit-pop fashion and trends. Over the years, the Frond has grown from a one-man band recording in a bedroom to a trio that works in an actual studio; but listening to the first few records-- n

Valedictory Songs

Valedictory Songs

pitchfork
6.9

I was always a bit perplexed by the fact that "lo-fi" was given credence as a genre. I mean, sure, the layers of tape hiss and analog crust did give lo-fi music a unique sound. But it seemed to be an utterly superficial distinction, and one which had little bearing on why I was such a big lo-fi fan for so long. I mean, *Bee Thousand* is one of my favorite albums of all time; it could've been produ

London Stone

London Stone

pitchfork
6.8

The latest Rubric reissue in Nick Saloman's series of turn-of-the-90s lo-fi neopsych primers.

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