The Fat White FamilyBest The Fat White Family Albums Ranked
7.7
Avg Score
8
Opinions
4
Albums
5
Reviewers
Summary from 8 ratings
On Wavelength, fans have rated The Fat White Family's catalog across 4 albums from 8 opinions, with an overall average of 7.7/10. The top-rated The Fat White Family album is Serfs Up! (2019) with a 8.0/10 average from 4 ratings, followed by Songs for Our Mothers and Champagne Holocaust. The discography on Wavelength spans 2014 to 2019.
Songs for Our Mothers
“Hear Fat White Family take a beach holiday with Satan”
Serfs Up!
“Fat White Family are a band reborn. ‘Serfs Up!’ is the richest, most accomplished music they’ve ever written. This is an about turn from the south London misanthropes’ second album that was rotten with dissonance and references to the Third Reich. ‘Songs For Our Mothers’ (2016) was an abject, anti-pop record that lacked the excitement of their 2013 psychobilly debut ‘Champagne Holocaust’. In addi”
Serfs Up!
“Since their inception in 2011, the south London soap opera that is Fat White Family have weathered an avalanche of internal crises, departures and – by the end of 2016 – near total implosion. Their fundamental problem, however, has never been the chaos that surrounds them. Doubtless no small problem for their individual members, it’s never been their bent towards destruction that has held them bac”
Serfs Up!
“Fat White Family's Serfs Up is their most coherent, rousing album yet”
Songs for Our Mothers
“The Fat White Family like to get f***** up and fight, and they’ve been doing it since they formed in south London pub-cum-squat The Queens Head in 2012. Past misdemeanours include: arguing then collapsing onstage, publicly celebrating Margaret Thatcher’s death, naming their record label Without Consent, and filling 2013 debut ‘Champagne Holocaust’ with contentious filth including a song called ‘Cr”
Champagne Holocaust
“Fat White Family sound just like they look—diseased, drug addled, utterly corrupt. Their debut album is getting a belated North American release after gaining a swell of attention in the UK. It represents the shambolic beginnings of something, full of directions tried and discarded and barely fleshed out.”
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