The Go! TeamBest The Go! Team Albums Ranked
7.4
Avg Score
16
Opinions
7
Albums
8
Reviewers
Summary from 16 ratings
On Wavelength, fans have rated The Go! Team's catalog across 7 albums from 16 opinions, with an overall average of 7.4/10. The top-rated The Go! Team album is Thunder, Lightning, Strike (2004) with a 8.7/10 average from 4 ratings, followed by Proof of Youth and Rolling Blackouts. The discography on Wavelength spans 2004 to 2021. The Power Is On ranks as the highest-rated The Go! Team song on Wavelength with a 9.1/10 average.
Thunder, Lightning, Strike
“Debut album from this Brighton-based six-piece rolls early-80s action theme songs, vintage hip-hop, Saturday morning cartoons and cheerleading squads into one sick party record bursting with surly, overdriven guitars, triumphant trumpet lines, and battling drum assaults that seem to break through walls with the barreling force of a thousand Kool-Aid men.”
Rolling Blackouts
“Brighton's the Go! Team show signs of evolution on album #3, as their stylistic range broadens ever so slightly.”
The Scene Between
“On The Scene Between, Ian Parton has gone back to his original method of composing, recording and producing all of the music himself, save for the vocals, which means he’s purposefully inviting comparisons to Thunder, Lightning, Strike. And yet, the results feel like his most truly songwriterly work yet.”
Proof of Youth
“The Brighton band follows Ian Parton's explosive home project Thunder, Lightning, Strike with its first record as both a full-fledged, crowd-pleasing band and a Sub Pop-signed act.”
Rolling Blackouts
“Few Brit-pop bands could soundtrack an NFL apparel ad, but this Brighton, England crew’s pom-pom waving spirit fit one fine. The naïve exuberance underpinning their mash-up of marching-band funk, jump-rope rap chants and indie-pop could feel forced by now, but their third disc is as cute and tunefully muscular as ever. Mastermind Ian Parton dials […]”
Get Up Sequences Part One
“Indie aesthetics have changed considerably in the past two decades, but the UK group is still throwing block parties for a utopia where time and genre collapse.”
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