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Vampire Weekend

Vampire WeekendBest Vampire Weekend Albums Ranked

8.2

Avg Score

61

Opinions

11

Albums

17

Reviewers

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Summary from 61 ratings

On Wavelength, fans have rated Vampire Weekend's catalog across 11 albums from 61 opinions, with an overall average of 8.2/10. The top-rated Vampire Weekend album is Modern Vampires of the City (2013) with a 9.0/10 average from 7 ratings, followed by Only God Was Above Us and Contra (Bonus Track Version). The discography on Wavelength spans 2008 to 2024. Hannah Hunt ranks as the highest-rated Vampire Weekend song on Wavelength with a 9.8/10 average.

Modern Vampires of the City

Modern Vampires of the City

pitchfork
9.3

Vampire Weekend’s third album is a remarkable progression from a band that was already functioning at a high level. The songs are more spontaneous and dynamic and, along with the more lived-in sonics, Modern Vampires finds the group taking a leap forward into emotional directness.

Only God Was Above Us

Only God Was Above Us

pastemagazine
9.0

Ezra Koenig, Chris Baio and Chris Tomson take all the right risks to deliver a superb return to form on their awaited fifth album.

Father of the Bride

Father of the Bride

rollingstone
9.0

The first album in six years from Ezra Koenig and Co. is rich ear candy loaded with helplessness and crisis.

Modern Vampires of the City

Modern Vampires of the City

consequence
9.0

See through the Ivy and hear Ezra Koenig deliver the band's most comprehensive effort yet

Modern Vampires of the City

Modern Vampires of the City

rollingstone
9.0

At 18 songs in under an hour, Vampire Weekend’s first album in six years sounds at first like a manic effort to make up lost time. Singer-guitarist Ezra Koenig, the band’s composer-lyricist and a co-producer on virtually every track, has stuffed his hooks and bridges with so many change-ups in rhythm, guitar tone and dramatic instrumental flourish that, by the finish, you feel like you’ve been whi

Vampire Weekend

Vampire Weekend

pitchfork
8.8

Already one of the most talked-about and divisive records of the year, Vampire Weekend’s Afropop- and preppy-inflected debut is simple, jaunty, homespun, and—like the early albums from fellow fast-risers Belle and Sebastian and the Strokes were on their release—one of the most refreshing and replayable indie records in recent years.

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