Sisterworld

rollingstone

After tearing up the New York post-punk scene in the early 2000s, the Liars reappeared as Berlin electronic experimentalists and L.A. industrial groove things. Their fifth album lays claim to L.A.'s pulpy occult mythos with glowering noise brutalism and evil chant-singing that suggest TV on the Radio as a hippie death cult. Angus Andrew intimates […]

pitchfork

Liars' relentlessly tense new album finds the always excellent band focusing on detail and texture rather than stylistic schizophrenia.