So much so that she decided to name her new album falling or flying and divided the tracklist into two parts accordingly (“Try and Fit In” acting as some kind of middle point).
Smith
sings “I could be falling, flying / I wouldn’t know the difference” on
the title track. No matter how high the jump, the singer seems more
ready than ever to bounce back. Already remarkably self-assured on her
debut full length, she projects an even more confident sound on falling or flying.
Case
in point, “Try Me” is a defiant answer to anyone who has ever tried to
belittle her. “She Feels” addresses an ex very stoically (“What have you
done for me?”) while “GO GO GO'' dismisses a needy lover with stone-cold ease (“I don’t know you that well / And I’m not trying to get
to know you”). Both showcase how Smith has grown infinitely more
resolute since we were first introduced to her.
This
hardened confidence is the catalyst for bolder choices and further
experimentation with an already versatile and wide-ranging sound. Falling or flying
is filled with new and different textures. Percussions abound and fill a
more prominent place in the songs’ fabric. Upbeat single “Little
Things” features one of 2023’s most memorable beats. Intricate and
bright, it provides the perfect landing for Smith’s effortless vocal
somersaults. Slightly reminiscent of her 2017 collaboration with
Preditah (“On My Mind”), the track ups the ante as her most infectious
song to date.
Whereas many of Lost & Found’s
tracks felt stripped to their bare bones, most of the tracks here feel
built from the ground up. The sleek title track and its intense vocal
layering make for one of the album’s most enthralling spots. On the flip
side, songs like “Make Sense” and “Lately” sound so extemporaneous they
struggle to leave a long-lasting impression. The feeling is only
reinforced by the direct effectiveness of the songs they’re wedged
between.
If
anything, in the four years since her full-length debut, Smith has
cultivated a strong flair for drama, as showcased in the closing leg of falling or flying.
“Backwards” ends on an elaborate flourish of strings that launches the
listener into the grandiose closer. “What if my heart beats faster?”.
The build-up and following release are so satisfying it’s hard not to
keep the track on repeat. In the relatively short timespan since Jorja
Smith’s proper introduction to large audiences, she’s already mastered
the art of the slow burn – and her flame isn’t waning just yet.
