Evangelic Girl is a Gun

FontenMoart

metacritic

pitchfork

The shapeshifting pop producer and vocalist’s fourth album summons the chilly cool of trip-hop, but doesn’t do much to differentiate from the heavily referenced source material.

pastemagazine

The Singaporean pop provocateur delivers a boundary-breaking, self-exploration in metalcore, electroclash, trip-hop, and synthwave textures. The album moves through vivid dreamscapes, fractured identity loops, and the soft violence of transformation.

thelineofbestfit

Stylish and gritty, Evangelic Girl is a Gun could be yeule’s most impressive work yet