The Isle of Wight artist's skater rock via blasé tongue-in-cheek musings found favour with fans conscious of the throwback energy being channelled, with an interest in its open take downs of personality traits and the general maelstrom of life. With Garageband Superstar enjoying accolades on its release two years ago, Hibberd's debut presented an insight into her world, the ups and downs painted with unfiltered scuzzy punk pop peppiness, sonically aligned with its warts and all premise.
Despite its sunny surface sheen, the shadow of personal tragedy lies at the outset of Hibberd's sophomore follow-up Girlfriend Material, the passing of her father in the weeks preceding Garageband Superstar's debut prompting reversion to songwriting as a form of venting and reflecting surrounding emotional turbulence. "I Suck at Grieving" is a stark indicator of the album's ironic base, with the priorities and everyday inanities that get lost in the midst of such epochs. Hibberd zones in on coping mechanisms and the television habits of others, a playful lens on social rituals that has charm in its mildly jabbing cynicism: “I watch the Gilmore Girls for the tenth time / I stop at the episode Richard dies”.
From Hibberd’s initial slate of EPs, the influence of genre
headliners such as Avril Lavigne and Blink 182 have remained obvious
touchstones – nostalgic nods set to narratives deep diving into the
modern challenges of early twenties life. This remains the case with Girlfriend Material,
“90’s kid” leaning more into the latter in its cultural checklist
treatment of the tail-end of that decade - albeit feeling nominally, in a
stylistic sense, more an ode to the early noughties.
Where Garageband Superstar navigated similar themes, Girlfriend Material
finds its own niche in embracing a heavier, less pop-oriented
direction. The final three songs of the album, in some sense, figure as a
triptych of Hibberd’s openness to new directions, duet “Pretty Good for
a Bad Day”, featuring All Time Low’s Alex Gaskarth, is empowered
through the pair’s natural chemistry – a surging stadium-destined ballad
that captures this flitting of styles, whereas “So Romantic” shifts
through the gears in a more familiar full-throttle staple. “Not the Girl
You Hope” is an acoustic comedown befitting an album that finds its
roots in the solemn yet manages to uphold a sardonically carefree
outlook.
Hibberd spares no punches in the vividness of her
songwriting detail, there’s no time spared for melancholy, opting
instead for a vein of life continuing despite its myriad setbacks. In
doing so, Girlfriend Material sees shimmer traded for increased
complexity alongside a confident pop-punk presence – one that defines
the album’s major strength alongside a sharply served side-eye view of
society.
