Blackout

JoshwaJames

rossijem

aoty

pitchfork

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit the pop star’s singular 2007 album, her oft-misunderstood comeback and a defining cultural artifact of the dark, trashy, celebrity-driven essence of the aughts.

rollingstone

Well, this is unfortunate. While judges debate her child-visitation rights, Britney Spears has released an album whose title seems to have been inspired by a major flirtini binge. On Blackout, she's singing that she's "so damn high I can't come down," anticipating a night of "dancing tabletop," and issuing a proclamation that's enough to make […]