Garden of Delete

aoty

rollingstone

pitchfork

Garden of Delete is unlike anything that Daniel Lopatin has done, in terms of technique, mood, or scope. It is denser than his previous albums, by several orders of magnitude. It is more varied, and it is funnier—scarier, too. The album carries with it a risk of whiplash that's as potent on the 15th listen as on the first.

thelineofbestfit

Oneohtrix Point Never chronicles a mechanised cold-sweat nightmare