Daughter from Hell

pastemagazine

The singer’s third album sounds like an already-dated relic of the COVID era of pop music dominated by breathy, sedated vocals and minimalistic guitar-and-piano arrangements.

exclaim

bill_lacey

It’s ok it just sounds like reject songs from TSOU No real growth imo

nme

a dramatic reckoning with her younger self

pitchfork

Working once again with Aaron Dessner, the songwriter sticks to her signature blend of bulletproof pop and melancholic indie folk, but the few risks she takes result in her best songs yet.

allmusic

The heartache specialist rejoins co-writer/producer Aaron Dessner once again for a nearly hour-long epic on disappointment and self-loathing.