This art-noise conglomerate was one of the grisliest, most intense groups to emerge from the underground metal scene when it fell apart in 2009. But what set Daughters apart was the unnerving nature of their menace — you truly didn’t know what frontman Alexis Marshall might say or do. The band regrouped five years ago and have tweaked their sound slightly; You Won’t Get What You Want is a slow build rather than a shrieking onslaught, but it still has an inherent sense of danger. The band’s most obvious influences (chiefly Jesus Lizard and the Birthday Party) are still present, but they’ve been transmogrified through electronics, tribal drumming and Marshall’s meandering moans. On “Long Road No Turns,” the music seems to melt around Marshall’s voice as he sings about shackled wrists; “The Reason They Hate Me” is a lumbering, industrial dance song; “Guest House” is a percussion showcase that adds one texture over another as Marshall sings, “Let me in.” If heavy music is supposed to be scary, Daughters have elevated it to an invigorating new level.
rollingstone
You Won't Get What You Want
Daughters (2018)
“The metal band's latest is a slow build, not an onslaught.”
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Other reviews of You Won't Get What You Want
hyperrr
metacritic
aoty
pitchfork
These hardcore miscreants never seemed like a band suited for reunions, so their first album in eight years reimagines their prior intensity with blown-out, abstracted menace.
fantano
Daughters return with the most effectively terrifying album I've heard all decade.
exclaim
By far their most dynamic offering, Daughters have pulled off one of the great comeback albums and further cemented themselves as a band with such singular creativity that they're nearly peerless. It may not sound like the album you thought you wanted, but the open-minded listener might find it's precisely what was needed.
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