Cameron Mesirow—better known as art pop auteur Glasser—has always done it herself. Ring, her 2010 debut, was entirely made with Garageband. Its follow-up, 2013’s Interiors, traded colorful ridges for sleek contemporary avant-garde pop yet retained an independent spirit. A decade later, for her third studio album, Mesirow has pivoted to something more complex and idiosyncratic. If looked to the future and faced the past, is nestled in a baroque, nearly-medieval period—a sort of in-between-ness of things, befitting for the album’s narrative of life after the death of a close friend. Falling back on her Celtic and Scottish roots, Mesirow crafts a lightly fanciful yet deeply felt elegy, using subtle flourishes to consider the meaning of death and what comes after.