Deafheaven's head-turning 2013 breakthrough, Sunbather, cross-pollinated headbanging black-metal vitriol and spacey shoegazing in ways that made them seem like subversive iconoclasts. On their follow-up, though, they're out to prove that they're a true metal band, with a more generic sound built on screeched vocals and chugging riffs. There's some beauty to be found amid the bleakness — check the lyrical guitar solos of "Brought to the Water" and "Baby Blue," the Smashing Pumpkins-style strumming on "Gifts for the Earth," or the album's occasional Pink Floyd atmospherics. But New Bermuda's few epiphanies are surrounded by waters too rough for most listeners.
rollingstone
New Bermuda
Deafheaven (2015)
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Other reviews of New Bermuda
metacritic
fantano
Deafheaven returns with a set of ambitious, dynamic songs mixing black metal and indie-flavored instrumental rock.
pitchfork
Showcasing a brilliant collision of beauty and despair, Deafheaven’s new album, New Bermuda, is even more overwhelming than their 2013 breakthrough, Sunbather. The group has shaped a suite of songs into one pliable, massive, and ecstatic 47-minute arc, one where they unabashedly treat the roar of electric guitars as a holy experience.
thelineofbestfit
It's no Sunbather Pt 2,but Deafheaven might have delivered their defining moment
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