In On the Kill Taker

pitchfork

Fugazi’s third album arrived in 1993 when the underground began seeping into the mainstream. The D.C. band stayed raw and visceral, growing their fanbase while keeping their famous DIY ethics intact.

rollingstone

In 1979, the Clash advertised themselves as "the only band that matters"; in 1993, that claim belongs to Fugazi. In an age of corporate-sponsored "alternative" music, Fugazi are the real deal. Remaining staunchly independent, Fugazi manage to sell in the hundreds of thousands while maintaining their incendiary politics and a raw, difficult sound born out […]