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rollingstone

rollingstone

Ring

Ring

Glasser (2010)

7.0/ 10

The debut from L.A.'s Glasser (born Cameron Mesirow) begins with a magic trick. The opening "Apply" kicks off with a lumbering beat that's weighed down further by a groaning synth — but then the vocals hit, and against all laws of physics, the song takes flight. Glasser has a Björkian gift for pairing airy melodies […]

The debut from L.A.'s Glasser (born Cameron Mesirow) begins with a magic trick. The opening "Apply" kicks off with a lumbering beat that's weighed down further by a groaning synth — but then the vocals hit, and against all laws of physics, the song takes flight. Glasser has a Björkian gift for pairing airy melodies and occasional gale-force belting with polyrhythmic, electronics-dense beats. On "Ring," her voice is multitracked into lush harmonies, and her abstract lyrics ("The clouds were dust, raining on us/There was a phantom me in a bed of love," she repeats on "Home") often carry a surprising emotional wallop. The album is over in just 38 minutes, but it feels like some long, gorgeous dream.

See the hottest live shots of the week

The debut from L.A.'s Glasser (born Cameron Mesirow) begins with a magic trick. The opening "Apply" kicks off with a lumbering beat that's weighed down further by a groaning synth — but then the vocals hit, and against all laws of physics, the song takes flight. Glasser has a Björkian gift for pairing airy melodies and occasional gale-force belting with polyrhythmic, electronics-dense beats. On "Ring," her voice is multitracked into lush harmonies, and her abstract lyrics ("The clouds were dust, raining on us/There was a phantom me in a bed of love," she repeats on "Home") often carry a surprising emotional wallop. The album is over in just 38 minutes, but it feels like some long, gorgeous dream. See the hottest live shots of the week

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