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rollingstone

rollingstone

Majesty Shredding

Majesty Shredding

Superchunk (2010)

8.0/ 10

On their first disc in nine years, these indie-rock greats mix the anthemic tumult of their punky early Nineties with the realism and songcraft of their mature late Nineties to come up with a Blood on the Tracks for graying Converse kids. Mac McCaughan shouts about the wages of aging over bracing, buoyant two-guitar clatter […]

On their first disc in nine years, these indie-rock greats mix the anthemic tumult of their punky early Nineties with the realism and songcraft of their mature late Nineties to come up with a Blood on the Tracks for graying Converse kids. Mac McCaughan shouts about the wages of aging over bracing, buoyant two-guitar clatter that refuses to let his wizened angst weigh him down (even when he's singing lines like "Time and transition is a wave that'll put you overboard"). No youngsters this side of Arcade Fire (who record for the Chunk's Merge Records) articulate ambivalence with such skill or heart. Few even try.

On their first disc in nine years, these indie-rock greats mix the anthemic tumult of their punky early Nineties with the realism and songcraft of their mature late Nineties to come up with a Blood on the Tracks for graying Converse kids. Mac McCaughan shouts about the wages of aging over bracing, buoyant two-guitar clatter that refuses to let his wizened angst weigh him down (even when he's singing lines like "Time and transition is a wave that'll put you overboard"). No youngsters this side of Arcade Fire (who record for the Chunk's Merge Records) articulate ambivalence with such skill or heart. Few even try.

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