In recent years, Oakland-based singer/songwriter and one-man indie rock chamber orchestra William Ryan Fritch has been recording more music than your favorite mixtape rapper. Last spring, he began releasing a collection of 110+ songs in a fashion that is as decadent as the contained music itself: through an ongoing subscription service. is intended as the culmination of the series, and high rollers receive it on 140-gram vinyl inside a book of paintings. The ballads that make up the album are equal parts melancholic, Americana-flavored pop and percolating, post-minimalist chamber music. The action is staged in the kind of cathedral-sized space simulated on defining mid-'00s indie rock records like Beirut’s Gulag Orkestar or Grizzly Bear’s Yellow House; indeed, Fritch’s album could have reasonably been made during this period.