Mezzanine

Gunnar

aoty

pitchfork

On Mezzanine, Massive Attack tried to escape trip-hop. They nearly tore themselves apart and made its defining document instead.

rollingstone

Elder statesmen of the moody dance genre that used to trade under the facile name of trip-hop, Massive Attack like to take their time making albums — so long, indeed, that they perpetually run the risk of being overtaken by the very people (Björk, Tricky, Portishead, et al.) they've influenced. One of Massive Attack's strengths, […]