Paul Schneider has such a perfect power-pop voice that I almost wonder if it was genetically engineered. It's very nasal, comes right from the top of the throat, and has just a little bit of grit-- it's like the Bomp!/Yellow Pills platonic ideal for singing voices. It would, however, be oversimplifying things to claim that Schneider's music is power-pop; I mean, it's pop, and it's got some punch, but he channels that voice into something decidedly modern where most power poppers check over their shoulders for cues from the 1960s and 70s.