metacritic
Mark Eitzel (2012)
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pitchfork
On the American Music Club frontman's best solo album since 2001's The Invisible Man, Mark Eitzel's tone, formerly accusatory, has softened and turned inward. He revels in the inner elements of his voice rather than growling over them, and sounds more natural and inviting than ever.
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First Aid Kit
The Felice Brothers
Rhett Miller
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