, an EP featuring five new covers, sounds like an extension of Anna Calvi’s debut single, 2010’s “Jezebel”, which remains arguably her best song and certainly a deft means of introduction to her commanding voice. Originally a hit for Frankie Laine in 1951, it’s been covered often in various languages and genres, although most versions gently reinforce the song’s matter-of-fact pop sexism. Borrowing from Edith Piaf’s cover (“c’était toi!”), Calvi turns the song into a flamenco rock aria, her voice soaring accusatorily and her guitar providing sinister commentary. With its emotions blown up to operatic scale, “Jezebel” plays less like a woman-baiting lament and more like a powerful fanfare. Calvi may sing in second person, but she embraces the role of Jezebel as one of immense power.