metacritic
Tom Waits (2009)
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rollingstone
Director Terry Gilliam recently cast Tom Waits as Satan; what better role for this seductively jive-talking fallen angel? Waits' second live retrospective plumbs his later LPs, especially 1992's Bone Machine and 2004's Real Gone; it misses classics like "Time" but shows off a deep oeuvre and a brassy, mischievous sextet — see "Metropolitan Glide," which […]
pitchfork
This live record is a de facto greatest hits of Tom Waits' fourth decade of music, during which his gnarly adventurousness only intensified.
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