EL ÚLTIMO TOUR DEL MUNDO

EricMaca2

Ryan1Nunez

As a genuine music fan who’s followed Bad Bunny’s wild evolution, El Último Tour Del Mundo lands as one of his most ambitious and mood-shifting projects. A record that feels like he took the urbano playbook, folded it up, and reinvented it on his own terms. Critics widely praised its adventurous spirit, its blend of reggaetón, trap, rock and experimental textures, and the way it stretches genre boundaries without ever feeling random.  This album has some standout anthems and surprising twists from the swaggering bravado of tracks like “Booker T” and introspective hooks on “La Noche de Anoche” (with Rosalía) to the fuzzy, genre-bending guitars on “Maldita Pobreza” and the dreamy alt-pop textures of “Trellas.”  What I appreciate most is how it shifts moods so fluidly: it’s at once triumphant, melancholic, and playful — a snapshot of an artist refusing to be boxed in.

adr_arc

pitchfork

Reggaetón’s biggest star closes a career-making 2020 with an album imagining his music in 2030: It’s morose, introspective, and pulls from post-punk and rock en español as much as it does hip-hop and R&B.

fantano

Bad Bunny's third album of 2020 is a bit of a rough ride.

rollingstone

The reggaeton superstar's third release of 2020 is an eccentric good time