Wavelength
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Gunnar
Portishead (1996)
“Portishead | 9.3/10 - Exceptional”
“**💭 Thoughts:** Portishead’s 1997 self-titled album brings the same level of complexity as their debut, *Dummy*, expanding on the band’s signature sound. This album is an incredible follow-up, filled with amazing songs, and I’ll definitely be coming back to it for a long time. **🎶 Tracklist Review** 1.) Cowboys 🟣 2.) All Mine 🔵 3.) Undenied 🔵 4.) Half Day Closing 🟢 5.) Over 🔵 6.) Humming 🔵 7.) Mourning Air 🟣 8.) Seven Months 🟣 9.) Only You 🟣 10.) Elysium 🔵 11.) Western Eyes 🟢 ──────────────────── **🤔 Track Rating Scale** 🟣 Favorites — My favorite song(s) on the album 🔵 Loved — Really enjoyed it and will revisit often 🟢 Liked — Enjoyed it, but it’s not one I’d revisit often 🟡 Mixed — Has some good moments, but also some bad, most likely won’t revisit 🟠 Disliked — Didn't enjoy it much, won’t be revisiting 🔴 Hated — Will skip every time ⚪️ Interlude, etc — Not rated as an actual song ──────────────────── **🏅 Ranking Scale** 10 — Perfect 9 — Exceptional 8 — Great 7 — Good 6 — Decent 5 — Average 4 — Below Average 3 — Poor 2 — Bad 1 — Awful 0 — Unlistenable”
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m1stymp3
rikred
aoty
rollingstone
Portishead's mix of '60s soundtrack music, hip-hop beats, dub and detached female vocals became an instant reference point when their first album, Dummy, came out, in 1994. Three years later, with the very first notes of Portishead, the group easily re-establishes its mastery of the genre now known as trip-hop. Instrumentalists Geoff Barrow and Adrian […]
A free place to rate albums and write reviews with friends. Letterboxd-style, for music.
Bloom
Beach House
