Wavelength
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“On her third album, the Missouri pop singer emerges fully-formed: distinguished, and disgusting. It’s a massive level-up from her previous work, which failed to set itself apart from other head-empty, hyperpop-adjacent tunes of its time.”
“HIGHLIGHT TRACKS: DANCE… OLD TECHNOLOGY GAS STATION OLD FLING$ WHAT IS IT LIKE, TO BE LIKED? BRITTANY MURPHY. I love the trashiness that this album presents, but the fact she released 5/14 tracks before the album actually released is actually crazy 😭 Even though this album is so amazingly midwesternly trashy, I can’t help but also notice that the ideas that slayyyter explores in this album is either not fully developed, or, never mentioned again. This fact is though overshadowed by the fact this album has very high-intensity beats that occasionally outshine slayyyter’s voice. If you ignore the fact that the lyrics feel premature, this album is extremely good and that is presented in the fact that in this point in time, the album has 49 million streams 4 days after release despite Slayyyter having less than 3 million monthly listeners.”
“The fact that Beat Up Chanel$ is the best track on Wor$t Girl in America is kind of a double-edged sword. On one side, it hits you with one of the best songs of the year—and one of Slayyyter’s best, period. But on the other, it kinda shakes the handle of the whole album, leaving you wanting another explosive bop that never quite comes. Tracks like Dance, Cannibalism, and Gas Station definitely get close—they sharpen up real nice—but none of them fully go for the kill like “Beat Up Chanel$.” Honestly, this feels like the moment where everyone should be watching Slayyyter’s every move, because it’s clear she didn’t come here just to dance in this war 😮💨”
“wor$t girl in america… the singles ATE i’m sorry like CRANK??? it’s sooo good but why did she drop SO many singles 😭 like babe six out of fourteen?? and they’re all at the front too so by the time you get to the second half it’s like… okay the album is still good like i did enjoy it, and there are songs i like later on like BRITTANY MURPHY and WHAT IS IT LIKE, TO BE LIKED, but it just doesn’t hit the same as the singles idk i just wish she spaced them out more or kept some of them for the album, there’s no mystery when we already heard half of it overall pretty good tho it’s gonna go sooooo hard live”
“fabulous record by slayyyter. the production is out of the world. the only thing holding me back from a full 10 is there’s two tracks i’m not fully immersed in, old flings and i’m actually kinda famous but as a whole this is great.”
“AMO ESTE ÁLBUM, Conocí a slayyyter por este álbum y creo que ya soy fan, es uno de sus mejores trabajos hasta la fecha.”
“some songs were AMAZING and others were just doing too much…”
“Beautifully produced, shallow and boring storytelling.”
