Edumsito
Slayyyter (2026)
“The fact that Beat Up Chanel$ is the best track on Wor$t Girl in America is kind of a double-edged sword. On one side, it hits you with one of the best songs of the year—and one of Slayyyter’s best, period. But on the other, it kinda shakes the handle of the whole album, leaving you wanting another explosive bop that never quite comes. Tracks like Dance, Cannibalism, and Gas Station definitely get close—they sharpen up real nice—but none of them fully go for the kill like “Beat Up Chanel$.” Honestly, this feels like the moment where everyone should be watching Slayyyter’s every move, because it’s clear she didn’t come here just to dance in this war 😮💨”
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ChaiWithNoH
andy
ricardomedina
fabulous record by slayyyter. the production is out of the world. the only thing holding me back from a full 10 is there’s two tracks i’m not fully immersed in, old flings and i’m actually kinda famous but as a whole this is great.
pastemagazine
On her third album, the Missouri pop singer emerges fully-formed: distinguished, and disgusting. It’s a massive level-up from her previous work, which failed to set itself apart from other head-empty, hyperpop-adjacent tunes of its time.
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